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4 MASTER
CLASSES in
Voice and Diction
with a Focus on Classical Text |
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Led by speech and acting coach,
Lenore Harris
Mondays September 8, 15, 22 and
29, 2008
6 - 8 pm
520 Eighth Avenue, 3rd Floor
(Between 36th & 37th Streets)
Tuition: 4 sessions for $200
Limited enrollment
20% discount for previous Pan Asian students
(All payments are final; no refunds after enrollment.)
To enroll, or for more information,
call Pan Asian Rep at 212-868-4030.
Speech & Voice As A Means To Classical
Text & Individual Expression:
The exploration of how you breathe and how
to find your true voice. The fundamentals of vocal training for
actors to develop a beautiful, strong, versatile instrument. Breath
control and physical exercises designed to make the actor aware
of vocal capabilities and possibilities. For the actor there must
be the sound of truth in the voice that enters the language of
the acting text in creating a character. In this workshop we will
practice using poetry and passages from Shakespeare. Exercises
will be given to develop the muscles of speech that result in
clarity, confidence and versatility. The International Phonetic
Alphabet (IPA) is studied to develop the actor’s sense of
hearing. Please bring a hand mirror, pencil and notepad to each
class and wear comfortable clothing to move in. Students may wish
to bring a yoga mat or towel to use during sessions. An optional
speech workbook by the author is available for $45 (cash only).
LENORE HARRIS - Ms. Harris was
a protégé and assistant to the renowned phonetician
and speech teacher Alice Hermes at HB Studio, as well as a speech,
voice, and acting coach for leading theatre & film artists.
She received her classical theater training with legendary master
acting teachers, Stella Adler and Paul Mann and studied speech
with Alice Hermes and Edith Skinner. Voice training with Marian
Rich, Arthur Lessac and British teacher Elizabeth Smith. Shakespeare
with Philip Burton, Fanny Bradshaw. Ms. Harris is on the faculty
of HB Studio and the Puerto Rican Traveling Theatre.
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4 MASTER
CLASSES in
Kabuki and Fan Movement |
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Mondays June 9, 16, 23
& 30, 2008
6 – 8 pm; each session runs 90 minutes at 520 Eighth Avenue, 3rd
Floor in Studio A (Between 36th & 37th Streets)
The workshop will focus on the basic movements, walks and gestures
of Kabuki dance in both female and male dance; use of props such
as sensu (fan) tenugui (towel/scarf) and two short dances in both
female and male dance from Kabuki repertory.
Yukata (cotton robe), tabi (or socks)
and a fan are required
Tuition: 4 sessions for $200
Limited enrollment
20% discount for previous Pan Asian students |
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(All payments
are final; no refunds after enrollment) |
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To enroll or for more information,
contact the Pan Asian office:
Phone: 212-868-4030
E-mail: panasian@aol.com |
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For nearly 35 years Sachiyo Ito has brought
together East and West through her delicate and powerful performances
of classical, traditional and contemporary Japanese dance. Born
in Tokyo, Ms. Ito is an accomplished artist, choreographer, and
arts educator. Ms. Ito holds a M.A. and Ph.D. from New York University,
and also a name, Sachiyo Fujima, awarded by the Fujima School of
Classical Dance in Tokyo. Sachiyo Ito choreographed Pan Asian’s
acclaimed production of SHOGUN MACBETH and will be joining us once
again for our upcoming revival of the production in the fall of
2008.
Sign Up
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WINTER 2007 ACTORS/SOLO PERFORMANCE/
PLAYWRIGHTS WORKSHOP |
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Led by veteran actor/director,
Ernest Abuba
November 5, 2007 – January 14, 2008
Workshop Presentation:
Wednesday, January 16, 2008 at 7:00pm
In the Bruce Mitchell Room,
520 Eighth Avenue, 3rd Floor
Monologues and Scene Study from
Asian Masterworks and Western Classics
Presentation of Scenes, Monologues and Solo Works |
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The Seagull, by Anton Chekhov, featuring Paul Keoni Chun and Shelley
Molad
Carry the Tiger to The Mountain, by Cherylene Lee, performed by
Nancy Eng
A Day in the Life of a Hindu God:
Sati Woke Me Up, a solo work-in-progress by David Elyha
...grits are good for you..., a solo work-in-progress by Sarah-Zane
Moore
Iris, a solo work-in-progress by Jen Yip
Jesus Hopped the “A” Train,
by Stephen Adly Guirgis,
performed by Una Osato
Beast On The Moon, by Richard Kalinoski, featuring Shelley Molad
and
Paul Keoni Chun
Opposite Day, a solo work-in-progress by Sean Tarjoto
The Cherry Orchard by Anton Chekhov, featuring Anne Miyamoto, David
Elyha and Paul Keoni Chun
Curse, a play in development, by Nancy Eng, featuring Anne Miyamoto
and
Paul Keoni Chun
Mango Tree, a play in development, by Anne Miyamoto featuring Paul
Keoni Chun, Una Osato, Shelley Molad and Jen Yip, with guest artist
Ron Nakahara. |
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STAGE COMBAT: 4 |
MASTER CLASSES |
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Unarmed and Eastern Sword (Tate) With Fight
Master Michael G. Chin Tuition: 4 sessions for $200 For men and
women of all levels - limited enrollment
Mondays March 3, 10, 17, 24, 2008 6:30pm 9:00 pm
520 Eighth Avenue, 3rd Floor
Learn the principles of unarmed and Tate (Katana) sword fighting
techniques. Classes taught by Society of American |
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Fight Directors (SAFD) Fight Master, Michael
G. Chin. Emphasis on safety and believability incorporating choreography
and techniques from Pan Asian Rep’s upcoming production of Shogun
Macbeth.
(Tate will be provided during class time.)
Michael G. Chin serves as the Fight Coordinator in residence for
Pan Asian Rep. He is recognized as a Fight Master, Fight Director
and Certified Teacher with the Society of American Fight Directors.
He has choreographed on Broadway,
Off Broadway and at Regional Theatres throughout the country. He
is on adjunct faculty at Muhlenberg College in Allentown, PA. and
at Brooklyn College.
In 2005, he won the Outstanding Fight Direction Award from the New
York Theatre Fringe Festival.
To enroll, or for more information, contact the Pan Asian office:
Phone: 212-868-4030
E-mail: panasian@aol.com
20% discount for previous Pan Asian workshop students |
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STAGE READINGS |
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For previous Staged Readings click
here |
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